Hannah’s practice is primarily print based. She is interested in working with a variety of processes, often experimental in nature. Combining these processes, she frequently utilises found objects and explores the crossovers of print and sculpture. She is drawn to woodcut prints, including hand carved prints using tools such as those pictured on the right, but also using a lasercutter to create print plates. Hannah's recent practice has explored processes such as 3D printing and lasercutting, exploring how tech may be used to influence and intersect printmaking.
Hannah worked extensively with cyanotype prints, largely in 2020 through the lockdown period where she was able to create these at home. Other print based work in her portfolio includes etching, lino cut prints, collographs, letterpress, monoprints and screen prints.
Printmaking
Screenprint with lasercut digital drawings on plywood
Screenprint Assemblage
Woodcut prints
Cyanotypes - Resin cast series
Cyanotypes - Lasercut / found objects
Glyptotek Etchings
These etchings were created at Northern Print during a bursary project. The imagery is inspired by an exhibit at Glyptotek Museum, Copenhagen. The museum housing a large collection of ancient marble and stone sculptures. Many of these had been damaged over years and during the Victorian era, were ‘repaired’ with hasty plaster additions. Much of the damage was facial features such as ears, noses etc. In more recent history, the decision was made to reinstate the sculptures to their original and unaltered state. This included removal of any victorian nose additions. The victorian plaster pieces were displayed all together in one case and led to a curious collection, visible in the etchings below.
Monotype series - Blue Steel
